Denver Singer’s Black National Anthem Switcheroo Was a Risky
Act for Obama, and Black Americans -
Earl Ofari Hutchinson
Heaven only knows what black Denver singer Rose Marie [wrong,
Rene Marie] was thinking when
she stood at the microphone and belted out the lyrics of the black
national anthem instead of the agreed on Star Spangled Banner. The event
was Denver Mayor John Hickenlooper’s [is he related to the chicken
coopers?] annual state of the city address
and confab. Marie was engaged at no pay [maybe, that's the problem,
they should have paid her to sing what they wanted to hear] to sing the customary opening
Star Spangled Banner. The black national anthem penned by civil rights
legend and songwriter James Weldon Johnson a century ago is a beautiful,
lilting, and powerful expression of black pride and dignity. It has been
a virtual staple at any and every kind of black gathering down through
the years. [Nowhere in the song does it say 'black', 'negro', 'African American',
except in the title and the words apply to ALL human beings]. And that’s where it’s appropriate to sing it. The Denver
Mayor’s event wasn’t. [That's your opinion, Mr. Hutchinson.]
Marie’s tortured explanation for switching songs is take your pick: it
was a matter of artistic expression, her way of showing her pride in
being black, a veiled protest against racial mistreatment and
discrimination, and her personal statement against the alleged racial
hypocrisy of America. [Were these her words or the media's?] Her explanations are facile and self-serving and
just about everyone with an opinion on the issue appropriately blasted
her and demanded a formal apology which she hasn’t as yet given. She
should apologize publicly, and do it now. [Yes, I think she should,
right after Euro-Americans apologize for kidnapping, raping, torturing
and enslaving millions of her African descendants and stealing this land
from her Native American descendants! See: #36
Canada apology]
Her ill-timed, totally inappropriate act has been fodder for speculation[smells funny, is it bullshit?] that it could have a possible backdoor blowback on Obama.
[Why is it that any little thing any black person does reflects on
the whole race of blacks and any great offense done by a white person
doesn't even reflect on him or herself?] Obama
immediately rapped Marie for her wrong headed switcheroo, and said that
there’s only one national anthem. Obama had to move fast and knock the
singer’s act. The Democratic convention will be in Denver in August
and Obama can ill-afford to have even the slightest hint that he
approves anything that could be construed as an act that disrespects
America’s number one, time tested emblematic expression of American
patriotism, especially from a black singer. [What does he
mean by that!!!] And even more especially
given that Colorado with a Democratic controlled legislature, and rising
numbers of younger voters and Hispanic voters could be ripe for the
picking from the GOP orbit in the fall. [And most of those 'new'
voters were recruited by black women, I'm sure.]
[This Negro needs to remember that
his mother was a black singer.]
The bigger reason is that Obama more than any other presidential
candidate in recent times is hyper sensitive to the patriotism issue.
[This is not the fault of Rene Marie or any other black person in this
country.] Republican rival John McCain has been scrupulously careful not to stoke
any doubt about Obama’s patriotism. But others have. Conservative
websites, chat rooms, and some writers have feasted off impugning
Obama’s patriotism. They have slandered and ridiculed his name; dumped
on his wife Michelle for her off the cuff, repeatedly clarified in
context, comment about her lack of pride in America, and the one time
absence of an American flag from the lapel in his suits. [If it
weren't these issues it would be something else. I'm sure you know
that!]
This line of attack can’t be easily shrugged off as a below-the-belt
slug by fringe ultra conservatives or professional political hit
specialists. Despite his recent slog to the center, even right on some
positions, Obama is still widely regarded by moderates and conservatives
as a liberal Democrat. As failed liberal Democratic presidential
contenders from Michael Dukakis to John Kerry have found out the hard
and painful way, they are subject to ruthless, and sustained attack for
being too liberal, and allegedly too willing to waffle and compromise on
everything from crime and punishment to military preparedness, and
especially national security. This always loosely translates out to
doubt about the fervor of a liberal Democrat’s patriotism. A prime
McCain campaign attack point against Obama is that he can’t be trusted
to be the tough guy against foreign enemies and threats. [Has this
Negro asked the question: Why do these enemies exist in the first
place?]
Conservatives have long since seized the high ground on the issue of
what is or isn’t true patriotism and cast themselves as the protectors
and defenders of the flag, the national anthem, and their read and
interpretation of American traditions against the liberal defilers.
Obama has one more albatross that white liberal Democratic presidential
contenders didn’t have. He’s African-American. There’s the
inherent suspicion among some that African-Americans are eternal rebels,
and chronic social malcontents who undermine conventional American
values and traditions. It’s a short step from that false and bigoted
notion to see blacks as less patriotic than white Americans. [Good
grief! Someone please explain to this Negro that it is pretty difficult
to be patriotic toward a country that has it's foot on your neck, your
mama's neck, your sistah's neck, your Uncle Tom's neck, etc., etc.,
etc.!]
Unfortunately this ridiculous tar of Obama as somehow less of a true
patriot because of who he is and what his votes and stances on the
issues have been is not just a taint [?] him in the minds of some. Those
same minds tar blacks with the same, broad unpatriotic brush. Marie was
probably oblivious to the implications of her rash act. [I doubt
that! I'm sure she put lots of thought into it before she decided to DO
it. Not to forget that Harriet Tubman's founding of the Underground
Railroad must have been seen as a 'rash' act by scared Negroes, too. But
her 'act' did free plenty of black asses, didn't it?] In a follow up
remarks, she blithely blew it off as simply being a risky artistic act.
It was much more than that. It was a risky act for Obama and
African-Americans. [She ain't Obama. She is Rene Marie. If his
platform is that weak, that the 'act' of one black woman can bring him
down, think of the power that implicates. Not to forget, it will be a
black woman that frees this country. Remember you read it here, first.
-- WORDS WE SPEAK - Editor:
Diva JC]
Earl Ofari Hutchinson is an author and political analyst. His
new book is The Ethnic Presidency: How Race Decides the Race to the
White House (Middle Passage Press, February 2008).
Inequality,
discrimination, and oppression have been oozing sores in the history
of civilization. Each of us owes it to ourselves and to society to
stop the oozing sores, heal society, and improve the quality of our
lives. -- Dr. Priscilla A. Marotta, Power and Wisdom: The New
Path for Women [pp 174-175]
WHY DID YOU
AGREE TO SING THE NATIONAL ANTHEM AND THEN NOT SING IT? WASN’T THIS
DISHONEST?
I can see how it may be perceived that way. But I looked at it a
different way: I am an artist. As such, if I wait until I am asked to
express myself artistically, or if I must ask permission to do it, it
would never get done. I wanted to tell them what I was going to do,
but I couldn’t because I knew the answer would be ‘no’. I knew
that, even if I asked to do my version of the national anthem, the
answer would be ‘no’. There are times, artistically speaking, when
an event chooses us, a door is opened to heal ourselves and others
through our artistic expression, so to speak. When that happens we can
trust our instincts and walk through it or we can shrink back in fear.
It is my firm belief that artists have the responsibility and
privilege to walk through that door every single time it opens to
them. [BRAVA!]
I agree, they should have stopped her. One of the color guards
should have shot the black bitch in the face. I wonder, how much
longer do white Americans have to put up with the indignities, the
humiliation, and the racism from these racist niggers and their
white Marxist apologists?
These are the kind of people living in the 'land of the free and the home of the brave.' Do these remarks
reflect on all the other white people in this country???
Why
does it take a black man to chastise Rene Marie for singing different words to a song that has rarely applied to people of his or her hue?
Now,
here's the Negro that wrote the column to the left. I found this photo on the site www.myoutspirit.com
and I'm wondering is he gay? Is that why he said Obama had to 'knock
the singer's act' and Obama cannot afford to have [us believe] that he approves anything. . .construed as. . .disrespect [for]
America. . . especially from a black singer?
Is this Negro a misogynist???
Does he remember that his mother was a black singer, too?
Earl Hutchinson
First, lets think about what makes
an issue a “gay and lesbian issue.” To do this, lets look at the
different issues that are associated with the black civil rights
movement and the LGBT civil rights movement. As Earl Ofari Hutchinson
noted in Jesse
Jackson Can't Help Obama on www.thenation.com:
“A Democratic presidential contender must not be afraid to dump
strategies on the nation's public policy table to combat the
astronomically high black unemployment rate, soaring incarceration
rate for black men, the HIV/AIDS plague, and failing public schools,
as well as a plan for a drug and criminal justice system overhaul.
These are the issues that stir the political juices of most blacks.”
With the exception of HIV/AIDS, these pressing social issues aren’t
issues that many would associate with the LGBT rights movement. There
seems to be growing interest in public schools within the LGBT rights
movement, but its focused on anti-bullying campaigns and sex/health
education, not the achievement gap. (Yes, gays and lesbians may care
about many of these issues, but I’ll get to that later. For this
point, I’m looking at what is perceived as a gay and lesbian issue.)
One might thus be tempted to posit
that a “gay and lesbian” issue is one that affects gays and
lesbians specifically. If we take that as a working definition, then
we need to think about how an issue can affect gays and lesbians
specifically. Does it have to affect all gays and lesbians, a majority
of gays and lesbians, or can it just affect a few gays and lesbians?
Let’s consider an issue like the “soaring incarceration rate for
black men” mentioned by Hutchinson, which would include black gay
men. Are those black gay men enough to make the issue also a “gay
and lesbian” issue? [Source]
Originally published 08:41 p.m., July
2, 2008
Updated 08:41 p.m., July 2, 2008
The woman whose parents had once detonated
tumult within the status quo by daring to eat at a segregated
lunch counter stood before the microphone, nervous, resolute and
about to detonate some tumult of her own.
And although she had a pretty good idea that when she was done
there would be "some eyebrows raised," what Rene Marie
didn't know was that when you start making substitutions for
"bombs bursting in air," you just might ignite a
firestorm all your own.
Which is why the heralded 52-year-old Denver jazz singer's
decision Tuesday to blend the words of "Lift Ev'ry Voice and
Sing" — the "Black National Anthem" — to the
music of the "Star-Spangled Banner" has landed her at
ground zero of a controversy in which her patriotism and love of
country are being questioned.
Perhaps unfairly.
"I love living in this country," she told the Rocky
Mountain News on Tuesday, hours after she had performed, but a day
before the story exploded. "I'm so attached to it."
Friends and admirers of Marie are attached to
her and have expressed support.
"Rene Marie is a kind, intelligent, loving
person. The lyrics she sang are beautiful, patriotic and
heartfelt," said local singer Lannie Garrett.
Incendiary aftermath
Although she wonders if Marie shouldn't have alerted city
officials about her intention, Garrett says of the incendiary
aftermath, "I think as fellow citizens and human beings we
need to show one another more kindness, love and understanding ...
there are so many more important things to become outraged about
— like hatred and intolerance."
Echoing Garrett is Susan Gatschet Reese, a
friend and assistant program director at jazz radio station KUVO,
who believes Marie meant no disrespect.
"She's caring, she's outspoken, she's honest, she cares about
the community, and she speaks out on issues that are important to
her," says Gatschet Reese.
"She's a very warm person," says Norman Provizer,
professor of political science at Metropolitan State College and
Rocky jazz critic. "People shouldn't get the impression that
she's
some
bitter, hateful, revenge-seeking- through-the-arts kind of person.[HUH!!!]
She's quite the opposite."
Provizer also says, "I know Rene reasonably well, and I don't
think she planned this in order to cause a stir.
"This is the first time anything like this
has happened to her, and it can be overwhelming when you become
the food in the media chase. I think it's accurate to say she's
surprised at the tons of (angry) e-mails and phone messages she's
gotten. "
'I didn't tell anybody'
The angry response has not been limited to private citizens. Mayor
John Hickenlooper said he felt "deceived" by Marie, a
reaction that could not have entirely surprised her. As she told
the Rocky on Tuesday, "I knew my rendition of the national
anthem was not the typical rendition, but I didn't tell anybody
... and I deliberately did not because I don't think it is
necessary for artists to ask permission to express themselves
artistically. "
From Marie's point of view, "My experience is when you have
to ask permission, most likely you're gonna get shot down. And
some of the most important things that have happened in this
country wouldn't have happened if the person who did it had asked
permission first."
She went on to say, "There have been times when I've composed
music that has made some people very uncomfortable, but that never
stopped me before."
Although she knew that singing at a city function was different
from singing on a stage, she was prepared to take that risk
because "when you're an artist, taking a risk is what it's
all about."
Attraction to risk
There seems to be a magnetic attraction between Marie and risk.
When her career was just taking off, she ignored the owner of a
prestigious Chicago jazz club when he ordered her to stop
"insulting jazz" with her original songs and stick to
the standards. [Nooooo!] And she recently
walked away from a recording contract with a major independent
jazz label because she wanted to have total artistic control over
her CDs.
Taking risks is something her parents taught her when they were
among a group that tried to desegregate a restaurant in
Warrington, VA, Marie's hometown, in the 1960s. In fact, it was
her parents' courage that enabled her to do
what she did on Tuesday.
"Let me tell you, I was so scared before I sang that,"
she said.
But thinking of her parents and determined that "you can't
let other people decide for you how you are going to express love
for your country," she opened her mouth and sang.
Two minutes and six seconds later, the song was over, but the
drama was just beginning. [2:06, uh, uh, uh!]
Staff writer Daniel Chacon contributed to
this story.
Thank you for sharing this little snippet and sample of the time and
place we are living in! As The Last Poets famously titled one of
their record albums, "This is Madness!"
Your comments on the commentary are right on. Wisdom has a hard
row to hoe in this place, made even harder by the complicity of the
media (and all the other conspirators) in perpetuating and
sensationalizing everything that contributes to the nation's
pathological fears, prejudices and myths.
I dare say that we, as a species (this is the level of analysis we're
at now; there is no choice), are only beginning to learn how easily
and how deeply programmable the human mind is, especially when it is
conditioned by reward and punishment. The strident hysteria of
those white racist comments belies a truly tortured and frightened
soul: How DARE a Black woman question the truth of his universe,
defined by the presumption of white supremacy, by offering the
unwelcome, arrogant (to his mind, or what's left of it) reminder that
there are other truths, like other anthems, equally American, out
there.
For her part, Rene Marie spoke a truth that we all know:
there are times when neither God nor Ancestors will forgive not
stepping up and speaking (or singing) truth. She was "led
by the Spirit" and followed, and I do not doubt that her
performance (the quality of which, most curiously of all, has
been lost in all of this mad discussion of irrelevant bullshit) was
flawless.
Mr. Earl Ofari Hutchinson, for his part, hustled hard to prove
that America's hysterical fears are not limited to Europe's
descendants alone. "I too sing America," he virtually
all but bleats to the rabid rabble whose cold prejudicial stares are
sure to indict and accuse him of being "one of them" and
mark his name on their noose list, if he doesn't dance real quick
around this one in public. Poor devil, he seems not to get it
after only 500 years of repeated lessons. Psychopaths cannot
be appeased. They are not easily healed, true. Some of our
efforts are like throwing water uselessly on a gasoline fire, but it
is better than throwing more gasoline as a way not to be perceived as
a threat to it.
Rene Marie created what we call a "teachable moment" and a
golden opportunity. A similar one might have come from the
singing of a Native American, Mexican American or Chinese American
anthem (if such exist) -- true, homegrown expressions of America's
blessedly multi-ethnic, multi--cultural soul. The governor,
the media, the audience could have all seized upon this moment with
applause and positive "spin." All the more
because it is Denver, where Mr. Obama is to receive his coronation, it
could have been the city's and the state's embrace of a new day in
America, where all American anthems are music to our ears.
Instead, what do we have? Supposed shock and outrage, as though
the woman had violated someone's mother, or engineered a
"wardrobe dysfunction." This Negro running for his
rabbit hole as fast as he can, proclaiming that he's not in it.
Supposed "Americans" with barely enough intelligence to wipe
their posteriors [assholes, ya mean?] having time ("The
idle mind is the Devil's workshop") to rail and rant against
"racist niggers" (the ultimate oxymoron?) who are
supposedly insulting them by not following the program that they
supposedly have the right to dictate. A whole whirlwind
(tempest in a teapot) of speculation about how this might affect
Obama's chances (does this ever end?), all blown up way out of
proportion to be something we are supposed to care about.
(Shades of the Britney Spears voyeurism making headlines while immoral
wars rage in Iraq and Afghanistan at the behest of "chicken
hawks" and their fattened cronies.) What in God's name have we
become? If this stuff is any indication, "hopeless"
might be a good answer.
Ironically, this IS something to care about, but not for the reasons
or in the way that these sensationalists are hoping. It is an
exposé of them, and their truly anti-patriotic, unpatriotic attempts
to keep the country divided, dumbed-down and weak. SHAME on
them, and kudos to you for helping to expose them.
Stay strong, keep up the good,
DGT
* * * * * * * * * *
WOOOOOOOOOOOOOOW, what a BOLD,
COURAGeOUS move. I personally would not have selected that
venue for my artistic expression, but then again My name is Cynthia
not Rene Marie. History has proven that such moves are a necessary
sacrifice to evoke change. I applaud Rene Marie, as the media make a
field day out of it and try to use it to sabotage Obama's campaign.
Joan, I truly believe WIJSF
is one of God's purpose for you. It's your passion, your baby and
should be your main focus. Because of the powerful impact it is
destined to make, distractions will come to try and deter you ...
don't let it. Just want you to know you are appreciated for
keeping the blueprint and architects of jazz preserved and alive.
CSS
* * * * * * * * * *
some
bitter, hateful, revenge-seeking- through-the-arts kind of person
Good
Lord,
Are
there many of them on the planet?
I
certainly hope not, since most spiritual messages come from artists,
particularly those that fall into the category of avant garde
for necessary change!
*
* * * * *
Of
course, we all know that club owners are NOT MUSICIANS, not most of
them, at any rate. Did anyone tell the ones who are not that all
STANDARDS used to be someone's original music????? I am laughing out
loud, here!!!
Good
grief. Being a musician on this planet is terrifically difficult,
especially when you are dealing with left-brainers.
LEFT BRAIN
FUNCTIONS
uses logic
detail oriented
facts rule
words and language
present and past
math and science
can comprehend
knowing
acknowledges
order/pattern perception
knows object name
reality based
forms strategies
practical
safe
RIGHT
BRAIN FUNCTIONS
uses feeling
"big picture" oriented
imagination rules
symbols and images
present and future
philosophy & religion
can "get it" (i.e. meaning)
believes
appreciates
spatial perception
knows object function
fantasy based
presents possibilities
impetuous
risk taking